吉祥物
Sandra Rosko,帕克·波西,詹妮佛·库里奇
吸血夜惊魂
评分
9.2
播放量
2.3亿
年份
2026
Two New Orleans detectives become embroiled in a centuries-long feud between two secretive factions of vampires while investigating a runaway child's case. Torn between their everyday lives and the dangerous lure of immortality, the detectives must race to destroy the evil Moldero clan.
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鲁克·高斯,博基姆·伍德拜因,路易·曼迪勒,马克·可汗,莱昂纳德·凯利-扬,海瑟·洛普,布鲁克·纽顿,罗伯特·菲茨杰拉德·迪格斯,雷弗·甘特沃特
养鬼吃人7
卡瑞·伍尔 , 保罗·瑞斯 , Simon Kunz
那一晚，我知道你做了什么
王婷,王昭,张喜来,李小胖,袁琳兰,李星辰
误人子弟
林海峰,黄秋生,徐子淇,张达明,伍咏薇,叶广俭,兰茜
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皮亚托·杰米
让·雅克·阿诺
迈克尔·摩尔
施隆多夫
亨利·乔治·克鲁佐
陈果
陈凯歌
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人间色相
出租车司机文章（黄子华 饰）一年前偶遇住在南丫岛的维族舞女阿曼（江希文 饰），自此每日接送阿曼上下班，心中对她充满了绮想。某夜，文章和一女子发生一夜情，谁知却因用药不当造成他变成性无能。文章听从医生建议，在阿曼的陪伴下搬到南丫岛静养。酒吧老板娘比莉（蔡少芬 饰）提供住处给文章，而比莉，曾经是阿曼的同性情人。文章在酒吧因缘际会结识了女警Ron（孙佳君 饰），性无能的文章没有在Ron醉酒时趁人之危，这令Ron对他大有兴趣。不久，阿曼的老公阿东（张达明 饰）从大陆来港，阿东自幼学画，观念颇为开放，在得知阿曼和比莉有过一段情后大胆建议比莉和他们一起生活，但遭后者坦率的回绝。Ron为了能使文章重振雄风想尽了各种办法却不见效，阿曼此时也对这个暗恋自己的男人产生了兴趣……
🔥 热度 98.5万
03
入主客房
The morning Stella decides to take her own life, a stranger knocks at her door claiming the guest room he booked for the night. Surprised but charmed by this man who seems to know her very well, Stella decides to let him in. But when Sandro, the man who broke Stella's heart, joins them at home, this odd situation turns immediately into chaos.
🔥 热度 75.8万
04
提线木偶
学识渊博伟岸帅气的任智勋（李忠秀 饰）是小有名气的精神科医师，他偏向冷静思维人与人之间的情感，将一切都归于最理性科学解释，内心虽感深深孤独，却时常和不同的女子夜夜欢歌，双栖双宿，一味沉湎肉体的欢愉。他的同事兼好友俊基则不然，是一个追求真爱的传统男子。俊基通过相亲结识美丽的提线木偶师贤贞（具智成 饰），然而对方仿佛隐藏的无尽的心事。贤贞时常会看到恐怖的鬼影出现在她的面前，有时会莫名其妙失去知觉。为了帮助女友摆脱困境，俊基拜托智勋采用催眠的办法为贤贞治疗。 催眠过程中，贤贞讲述了自己隐秘的过去，并开始表现出妖冶鬼魅的人格。禁不住诱惑，智勋利用催眠跨越禁区，全然不计任何后果……
🔥 热度 68.3万
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25
1月
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
28
1月
入侵异次元3
来自未来的时空特警杰克·迪特被带回到过去，被授予摧毁“诡计”计划的任务，才有机会阻止失控的世界陷入混乱和战争的状态。
02
2月
弗兰肯斯坦的诅咒
《科学怪人的诅咒》（The Curse of Frankenstein），又译作《神秘怪尸》，是1957年英国的一部恐怖片，由咸马公司出品。本片基于玛丽·雪莱的同名小说《科学怪人》。本片也是咸马公司的首部彩色电影，影片出品后得到成功并制作了多部续篇，并建立了有哥特意味的品牌形象。
经典重温
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冰封之地
尼古拉斯·凯奇,约翰·库萨克,凡妮莎·哈金斯,凯瑟琳·拉·纳莎
潇洒先生
郑则仕,关之琳,戚美珍,张国强,楼南光,柏安妮,焦姣,成奎安,陆剑明,曹建南,龙天生,刘锡贤,叶伟信,劳剑华,黄一飞,许英秀,刘玉婷,许思敏,陈颖芝 ,黄雄
三天
朴新阳,李民基,李来
灶神来了
陈曦,刘帅良,黄一飞